The woman lies with her back on the table, bends her elbows and lifts her body on them. The man sits on a chair between her thighs, takes his chosen one by the buttocks with his hands and throws her legs behind his back so that her feet are on the back of the chair.

The woman sits down and leans back, supporting her upper body on her arms with her elbows bent. She spreads her legs to the sides, conditionally inviting her partner to settle between them for voluptuous intercourse. The man kneels with his back to his chosen one so that her thigh is between his legs. He places one foot along her arm, and places emphasis on his own straight arm, placed behind her back.

IThe woman rests her stomach on the fitball, bending her elbows and placing her face on her palms. The man approaches his chosen one from behind, raises her hips with his hands to the level of his own, leans back a little and rests his knees on the ball. The mistress wraps her legs around her partner’s waist and places her legs behind his back, only the very top part of her body remains on the fitball, the rest is entrusted to his hands and imagination.

The partner lies on her stomach face down, placing a cushion under her stomach so that her buttocks are arched towards the chosen one’s penis. She places her hands in the head area, her legs are straight and slightly spread to the sides. The man bends one leg at the knee and places it in the area of ​​his mistress’s buttocks, his second leg remains straight and is located approximately between the woman’s thighs. His outstretched arms rest on the sides of the woman’s breasts, and they bear the main emphasis.

In the reverse cowgirl position, the man sits on the bed, leaving his feet fixed on the floor, bends his elbows and leans his whole body on them, leaning back. The woman sits with her back to her partner on his thighs, she bends her legs at the knees and tucks them in so that she can fix her feet on the edge of the bed on either side of her partner’s knees. The mistress puts her hands between his armpits and places them on his palms, having the opportunity to also lean back like a man.

In this position, a man will be able to feel like a wild fucker with balls of steel, a horse that rushes forward, giving pleasure not only to himself, but also to equally excited spectators. The man stands with his feet shoulder-width apart, leans forward, squats a little and fixes his hands just above his knees. The woman lies on the floor facing her partner's buttocks, clasps her partner's knees with her hands and raises the lower part of her body so that her thighs are lying on her opponent's thighs, and her vagina is located just under his penis.

The man sits on a chair and leans back, lifts his feet on tiptoes and spreads his legs to the sides. The woman sits with her back to her partner on his loins, tilts her body a little forward and throws her head back. Her legs are spread wide on the sides, her palms rest on her partner’s knees.

The woman lies on her back, her shoulders are straight, her pelvis is turned to her side and one leg is raised up. The man settles between her legs, kneeling on one knee, his other leg remaining straight. She fixes the raised leg on his shoulder, the other rests on her partner’s foot. Her hands are thrown back behind her head, one of her lover’s palms caresses the woman’s breasts, the other rests on the surface.

In the Ballerina pose, a man stands on the floor with his feet shoulder-width apart and his arm behind his back. The woman stands next to him on the bridge and raises one leg parallel to his body. The man squats a little to penetrate his partner’s vagina with his penis, of course, if there is such a need.

In the Sweet Cave pose, a man sits completely on his legs, tucking them under his buttocks, moves his arms back and leans his upper body over them, holding himself in this position. The woman kneels so that her partner’s closed legs are between her thighs, she leans forward with her body, and puts her head on the pillow.

In the Beloved pose, the partner lies across the chair on its seat, bends her legs at the knees and completely presses them to her body. The man stands next to the chair, one of his legs is in front of the back, and the other behind it. At arm's length, the chosen one holds the edge of the furniture, the other caresses the chest of the excited passion. With her own hands, the woman takes him by the thigh and wrist, helping to determine the optimal rhythm for intercourse.

The woman lies on her back, her arms and legs spread apart. The man stands over her so that one of his feet is at her head, and the other is between the chosen one’s legs. He lifts her pelvis as much as possible and fixes it on his thigh. One of the partner’s legs remains straight, the other is slightly bent at the knee, on which the man places his palms, and bends forward with his upper body.

The man lies with his back on the fitball, and his feet and palms remain firmly fixed on the floor surface. The partner sits on top of her chosen one face to face, throwing her legs over his buttocks. She puts her hands on his shoulders and leans as close as possible to her lover’s body, exposing her swaying naked breasts to him for kisses.

Girl kneels on a chair, grabs its back with her hands and leaves her body as straight as possible. The man also kneels on a chair, his legs are placed on the edges, his arms hug his partner’s body and hold on to the back of the furniture.

The woman kneels on one knee in front of the sofa, also bends her other leg and lifts it up. The upper part of her body lies on the surface of the furniture, her arms are bent at the elbows and act as a kind of support. The man kneels on one knee between the legs of his chosen one, he bends the other limb, but places it on the foot. With his hand, the man takes his partner by the shin and places her on his thigh.